{"id":11693,"date":"2019-04-21T14:11:34","date_gmt":"2019-04-21T14:11:34","guid":{"rendered":"http:\/\/tadwein.org\/?p=3394"},"modified":"2024-03-26T21:31:50","modified_gmt":"2024-03-26T21:31:50","slug":"gender-representation-in-egyptian-drama","status":"publish","type":"post","link":"https:\/\/tadwein.org\/en\/gender-representation-in-egyptian-drama\/","title":{"rendered":"Closing Conference of the &#8220;Mirayat&#8221; Project"},"content":{"rendered":"\n<p dir=\"ltr\" style=\"text-align: left;\">On the 21<sup>st<\/sup> of April 2019, Tadwein for Gender Studies, W Laha Wogouh Okhra platform, and Hrdo Center organized a closing conference for \u201c<a href=\"http:\/\/tadwein.org\/2640\/\">Mirayat<\/a>\u201d which analyzed the Ramadan Drama Series of 2017 and 2018 from a Gender Perspective. During the conference, reasons behind the gap between media producers\/ creators and feminist media analysts were discussed in addition to the fact that the media industry promotes gender-based violence and discrimination against women. The conference was attended by some prominent figures, such as the critic Tarek El Shennawy, the scriptwriter Mohamed Suleiman Abdel-Malek, and the scriptwriter Mostafa Zayed.<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>On the 21st of April 2019, Tadwein for Gender Studies, W Laha Wogouh Okhra platform, and Hrdo Center organized a closing conference for \u201cMirayat\u201d which analyzed the Ramadan Drama Series of 2017 and 2018 from a Gender Perspective. During the conference, reasons behind the gap between media producers\/ creators and feminist media analysts were discussed in addition to the fact that the media industry promotes gender-based violence and discrimination against women. The conference was attended by some prominent figures, such as the critic Tarek El Shennawy, the scriptwriter Mohamed Suleiman Abdel-Malek, and the scriptwriter Mostafa Zayed.<\/p>\n","protected":false},"author":2,"featured_media":13314,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[216,215],"tags":[],"class_list":["post-11693","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-women-media-and-technology"],"jetpack_featured_media_url":"https:\/\/tadwein.org\/wp-content\/uploads\/2019\/04\/DSC8696-scaled-1.jpg","jetpack_sharing_enabled":true,"rttpg_featured_image_url":{"full":["https:\/\/tadwein.org\/wp-content\/uploads\/2019\/04\/DSC8696-scaled-1.jpg",2560,1926,false],"landscape":["https:\/\/tadwein.org\/wp-content\/uploads\/2019\/04\/DSC8696-scaled-1.jpg",2560,1926,false],"portraits":["https:\/\/tadwein.org\/wp-content\/uploads\/2019\/04\/DSC8696-scaled-1.jpg",2560,1926,false],"thumbnail":["https:\/\/tadwein.org\/wp-content\/uploads\/2019\/04\/DSC8696-scaled-1-150x150.jpg",150,150,true],"medium":["https:\/\/tadwein.org\/wp-content\/uploads\/2019\/04\/DSC8696-scaled-1-300x226.jpg",300,226,true],"large":["https:\/\/tadwein.org\/wp-content\/uploads\/2019\/04\/DSC8696-scaled-1-1024x770.jpg",1024,770,true],"1536x1536":["https:\/\/tadwein.org\/wp-content\/uploads\/2019\/04\/DSC8696-scaled-1-1536x1156.jpg",1536,1156,true],"2048x2048":["https:\/\/tadwein.org\/wp-content\/uploads\/2019\/04\/DSC8696-scaled-1-2048x1541.jpg",2048,1541,true]},"rttpg_author":{"display_name":"Tadwein","author_link":"https:\/\/tadwein.org\/en\/author\/tadwein\/"},"rttpg_comment":0,"rttpg_category":"<a href=\"https:\/\/tadwein.org\/en\/category\/events\/\" rel=\"category tag\">Events<\/a> <a href=\"https:\/\/tadwein.org\/en\/category\/women-media-and-technology\/\" rel=\"category tag\">Women, Media and Technology<\/a>","rttpg_excerpt":"On the 21st of April 2019, Tadwein for Gender Studies, W Laha Wogouh Okhra platform, and Hrdo Center organized a closing conference for \u201cMirayat\u201d which analyzed the Ramadan Drama Series of 2017 and 2018 from a Gender Perspective. During the conference, reasons behind the gap between media producers\/ creators and feminist media analysts were discussed&hellip;","_links":{"self":[{"href":"https:\/\/tadwein.org\/en\/wp-json\/wp\/v2\/posts\/11693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tadwein.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tadwein.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tadwein.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/tadwein.org\/en\/wp-json\/wp\/v2\/comments?post=11693"}],"version-history":[{"count":1,"href":"https:\/\/tadwein.org\/en\/wp-json\/wp\/v2\/posts\/11693\/revisions"}],"predecessor-version":[{"id":13316,"href":"https:\/\/tadwein.org\/en\/wp-json\/wp\/v2\/posts\/11693\/revisions\/13316"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tadwein.org\/en\/wp-json\/wp\/v2\/media\/13314"}],"wp:attachment":[{"href":"https:\/\/tadwein.org\/en\/wp-json\/wp\/v2\/media?parent=11693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tadwein.org\/en\/wp-json\/wp\/v2\/categories?post=11693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tadwein.org\/en\/wp-json\/wp\/v2\/tags?post=11693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}